b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Nuremberg and Venetian Women | Head of a boy facing toward the right | Portrat des Hans Tucher | Martyrdom of the Ten Thousand | View of Heroldsberg |
Related Artists:
Vasily Polenov
1844 - 1927,Painter. He began a systematic study of drawing in 1856, first with the landscape painter Pavel Cherkasov (1834-1900), then from 1859 to 1861 with Pavel Chistyakov (1832-1919). He also took lessons with Chistyakov, whom he considered his most important teacher, in 1871 and early 1872, after finishing his academic course. From 1863 to 1871 Polenov studied at the St Petersburg Academy of Art, where he met members of the progressive wing of the Russian artistic intelligentsia, and occasionally in the faculty of law at St Petersburg University. The classical education he received at home, his academic training and lessons with Chistyakov led Polenov towards an exalted history painting, although he personally inclined towards landscape. This dualism remained in Polenov work for the duration, and not until the late 1880s and early 1890s did he achieve a stable relationship between the two forms. The whole of his student career and the initial postgraduate, scholarship period was largely taken up with historical works: from academic compositions, for example the Resurrection of Jairus Daughter (1871; Pskov, Mus. Hist., Archit. & A.), for which he received the Grand Gold Medal and a travel bursary (in Germany and Italy, 1872-3, and France, 1873-6), to numerous pictures and sketches on subjects from antiquity and medieval history, executed in France or shortly after his departure from there, under the perceptible influence of Paul Delaroche (e.g. The Master Right, 1874; Moscow Tret yakov Gal.). At the same time he produced his first independent works, in the 1860s and early 1870s: landscapes in the surroundings of the Imochentsy estate in Karelia (e.g. Mountains, 1870; Moscow Tret yakov Gal.), and landscape studies and pictures executed from nature in Normandy in 1874 (e.g. Fishing Boat, Etretat; Moscow, Tret'yakov Gal.). In 1876 he became an Academician
Otto Muller
1874-1930 was a German painter and printmaker of the Die Br??cke expressionist movement. Otto Mueller was born in Liebau (now Lubawka, Kamienna G??ra County), Kreis Landeshut, German Silesia. Between 1890-1892 he was trained in lithography in Görlitz and Breslau. From 1894 to 1896 he studied at the Academy of Fine Arts in Dresden and continued his study in Munich 1898. He left Munich's academy after Franz von Stuck classified him as untalented. His early works are influenced by impressionism, Jugendstil and symbolism. When he settled to Berlin in 1908, he turned more and more to the expressionism. During this time there were meetings with Wilhelm Lehmbruck, Rainer Maria Rilke and Erich Heckel. In 1910, he joined 'Die Br??cke', a Dresden-based group of Expressionist artists. He was member of the group until it disbanded in 1913 due to artistic differences. At the same time Mueller also had contact with the artists group of the 'Blaue Reiter'. During the World War I he fought as a German soldier in France and Russia. After the war he became professor at the academy of arts (Akademie der Bildenden Kunste) in Breslau where he taught until his death on September 24, 1930. Johnny Friedlaender and Isidor Ascheim were among his pupils there. Altogether his printmaking amounted to 172 prints, in woodcut, etching and lithography. In 1937 the Nazis seized 357 of his works from German museums, since the pictures were considered as degenerate art. Mueller was one of the most lyrical of German expressionist painters. The central topic in Mueller's works is the unity of humans and nature, whereas his paintings are focused on a harmonious simplification of form, colour and contours.
MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime